After textile design studies in Paris, Fanny Richard learnt ceramic in Bruxelles. Today she works in Paris.
Her ceramic draws up a link between nature and object.
Her hands are tools, vectors of emotion and clay, raw and alive material, the medium in the inspiration.
Because the craftsman thinks by making and makes by thinking, Fanny's ceramic becomes a language.
Her own way to tell stories.
An echo of the original emotion.